Placing my type cursor into the frame, I head up to Type > Insert Special Character > Markers > Current Page Number. To do this, I zoom into the bottom left-hand corner of the left page, and use the Type Tool (T) to create a text frame. I can also add page numbers to my A-Master. If I was to extend a single shape across the whole of the spread, the color would be applied to both pages of a spread automatically. I Copy > Paste the rectangle and place the pasted shape on the right-hand page of the Master.īy keeping the color in separate shapes on each page I can apply only the left- or right-hand page to a spread in my magazine. Using the Swatches panel (Window > Color > Swatches) I give the shape a black color fill. First, I take the Rectangle Tool (M) and drag onto the Master to create a rectangle that fills the entire left-hand page. You can only edit these elements on the Master, and they will all sit behind the page content, so try to focus on elements that make up the background and basic template of your page.įor the A-Master for this magazine I’m going to add background color, page numbers and running headers. Think about the elements that will remain consistent across a group of pages. UNLIMITED DOWNLOADS: 50 Million+ Fonts & Design Assets DOWNLOAD NOW This is a two-page Master as the document has been set up with facing pages clicking on either the left or right page of the Master will bring up the full spread on screen. To do this, I double-click on the A-Master icon in the Pages panel (Window > Pages). In this document, I want to create a Master that will add a few consistent elements to the pages of articles in the magazine. Let’s walk through the steps of editing an A-Master for a magzine, and look at how to add simple features like page numbers, running headers and background color. You can now edit the Master as you would a normal page. Masters are quick and simple to edit-simply double-click on one of the Master page icons in the Pages panel to bring it up on screen. It’s called, and by dragging this down onto a page icon in the panel below you can wipe the page of any applied Master. The Master page above the A-Master in the Pages panel is, in fact, not really a Master. The A-Master is automatically applied to all the pages in your new document, which means that anything you put onto the A-Master will show up on all pages of your document. One of these Masters is called, by default, the ‘ A-Master’, and depending on whether you’ve set the document up with single pages or facing spreads, will be made up of one or two pages. When you create a new document in InDesign, the software automatically creates two new Master pages for the document, which are visible at the top of the Pages panel ( Window > Pages). You can also add different Masters for index pages and contents pages, which may require different page numbering systems or headers. You might have one Master page for the opening page of a chapter, and another Master for the pages that sit within the chapter. A good example for when it would be appropriate to use multiple Master pages is when you’re designing a book that’s split into chapters. You can also create multiple Master pages, each with different design elements. Masters are indispensable when creating multi-page documents like magazines, books, reports and brochures, allowing you to add design elements across a number of specified pages, creating a sense of consistency and professionalism in your document. You can edit the Master, and add elements to it that you want to appear across multiple pages, such as page numbers, running headers and borders. Whatever you place onto the Master page will be visible on all the pages of your document that have the Master applied to them The basic principle of a Master page is this:
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